Dungeons and Dragons

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When you look up the word “martial” in the dictionary, most definitions tend towards the use of a few key adjectives – warrior, warlike, or military. So I’d be lying if I said that the Martial Flavors book from Chaotic Shiny Productions focuses on mostly peaceful people. Most of these cultures could be described as mercenaries, raiders, or warriors whether they believe in the chain of command or the power of the strongest sword.

At a mere 55 pages, Martial Flavor has to be one of the most colorful supplements I’ve seen in a while. Color, art, fonts, and text boxes are used to provide a layout that’s easy on the eyes and convey details on multiple levels.

The use of color works well to denote different sections, such as green for the titles, introduction, and table of contents, and a red/green pattern for The Daikort Pack, a green/brown pattern for The Elessim, etc. And each section is laid out consistently from group to group – starting with a vignette, an overview, appearance, hierarchy, rituals, races, sample characters, powers, and feats.

The full color and black and white artwork used on the front and back covers and inside provides not only a great way to break up the text, but provide a feel for each culture’s dress and appearance as well as what’s important. For example, for The Daikort Pack, we see a full color picture of an fair-haired elven maid wearing leather and a plate breastplate, which tends to indicate she’s more ready for a fight than to go frolicking in the woods in which she’s standing. But for The Elessim, there are three horses in the picture on a broad grassy plain and one rider. Something tells me the horses are important!

The black and white art was also quite striking...

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In 1982, when I was just starting the 7th grade, I met up with a group of people who were playing Dungeons and Dragons. We played a lot over the next few years. And there were few boundaries.

We took on Tiamat, the Queen of Dragons, and killed her just to take her loot. Yes, so we might have been a bit bloodthirsty and the mighty haul was enough to keep us entertained. Perhaps it’s the bifocals I wear now as an adult, but I look back fondly on those days.

But here’s the thing. Nobody taught us how to play. We just kind of… figured it out as we went along. We were all bright, curious pre-teen and teenagers. Our parents allowed us (in a time when such a thing as D&D was linked to devil worship and suicide) the freedom to explore the boundaries of our imaginations. I don’t think we ever found them, but damn if we didn’t try.

Now I’m much older and have two little girls. They’re cute and bright and love playing games. The night that I dug out my old Dungeon! board game to play with them and my wife, I think I opened up a door to a new world. My style of parenting is a bit more open than many other parents I know. I will sit and watch movies like Shaun of the Dead, Wanted, and Legend with them even though it’s a few years off that they’ll even come close to PG-13. So when we go through and gather treasure and kill monsters in Dungeon!, we’re still pushing barriers and expanding their imaginations…

I have no idea how I’m going to get them playing roleplaying games. But you know what? I’m dying to try. My youngest is starting kindergarten this year and will be reading soon… My eldest is entering 4th grade and reading at a 6th or 7th grade level already – so they’re both going to be quick learners I think.

The thing is… Should I introduce them to roleplaying? Or do I let them learn on their own? Will I pass along my own prejudices for particular rules systems and settings? Will they get stuck in certain ruts as I do in particular roles sometimes? What’s the downside?

The upside of course is… I know what they’re playing. I can answer questions as they come up. And I get to play along with them. Ultimately I’m just a big kid. I know this. My wife knows this. We’ve all accepted it.

So I guess to heck with it… Soon we’ll be having family game nights that won’t involve Chutes & Ladders or Candyland… Maybe the girls will see it in their hearts to dare attack Tiamat’s lair!?

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Hey there…

People who play roleplaying games sometimes get a bad wrap. We get accused of practicing witchcraft or blamed for the suicides of individuals with mental illness, when all we’re doing is getting together to pretend we’re someone else for a while and hang out. “It’s a game, people” seems to be our regular response to this controversy, but that doesn’t stop some folks from trying to stop creativity and free thinking by banning books.

The Dungeon Masters is a new documentary from director Kevin McAllester (You’re Gonna Miss Me) that shines a light on the lives of three gamers – Richard, Scott, and Elizabeth. Though not typical of those people I’ve met in my nearly 30 years gaming, these three present a unique cross section of roleplayers from across the country.

Each of the three subjects of the documentary is involved in roleplaying games such as Dungeons & Dragons. D&D was introduced in 1974 by Gary Gygax and Dave Arneson. Now on its 4th edition, it has spawned two feature films and hundreds of books. Games such as D&D provide a creative outlet for thousands of imaginative and creative people around the world to escape the realm of the mundane and experience the fantastic for a time.

D&D is traditionally a table-top roleplaying game, meaning that a Dungeon Master (DM) or Game Master (GM) leads a group of players, each with their own Player Characters (PCs) on an adventure in a make-believe world. Games like D&D provide a structured, yet open-ended, set of rules so that everyone plays fair and doesn’t just start changing the rules as they go. PCs have characteristics to define their strengths, weaknesses, and abilities. And the players, in a way similar to actors on stage or screen, describe their characters’ actions and speak for them.

Scott is a gamer seeking a way to provide for his wife and son through his hobby as opposed to his job as an apartment complex manager. But as most of us with the same dream have learned one way or another, that’s tough to do. As a result, he spins the imagination he uses for gaming into a fantasy novel and tries to get it published through an agent.

Richard’s life is a little different. A reservist, he spends most of his time thinking about GMing his weekly roleplaying game sessions. GMs basically control everything that the player characters see in the game – from the rest of the population of a town or city to the monsters and even the weather. And Richard seemed to take a very adversarial approach to his games – going so far as to kill all the PCs in the game when they went into a Sphere of Annihilation and obliterated themselves, which put a strain on his group that bled even into the next group Richard GMed.

And Elizabeth is a different case all together. She, even more than the others, likes to inhabit her characters fully to the point where she dresses up as a Drow (Dark) Elf with face paint, a wig, and a costume. Elizabeth also plays World of Warcraft on the computer and enjoys Live Action Role Playing or LARPing with other individuals who like to wear costumes and wield fake weapons to get further into their own characters.

Where all of these people fall down a bit is with personal relationships outside the game. Scott’s wife seems to be the main breadwinner of the family while he chases his dreams of being a famous author and having a successful cable television series. Richard’s dedication to running his game meant less time to spend with his wife and within his church. And Elizabeth went from relationship to relationship seeking someone who would accept her as she is as a person and not just as a character.

Though I understand that overall there’s a positive message to the documentary that shows that change is possible for these people and they can mend fences to gain stronger relationships, I’m concerned that it portrays all gamers as socially dysfunctional, damaged individuals disconnected from the real world.

In my own personal experience as a gamer, I have spent time with many different types of people. And yes, there have been some odd folks like the guy who was occasionally on acid or the self-professed Wiccan. But for the most part, they’re just normal people. Most of the gamers I’ve met since college have had jobs, relationships, and are as ordinary as anyone you’d meet on the street. Some, like myself, even have families and still find time to game.

So the documentary seems skewed to me towards the more extreme ends of “normal” gaming behavior. Are there gamers who behave the way the people in the documentary do? Yes. But I can without hesitation say that I’ve never met anyone who tried to run their own cable television show.

Quality-wise, the documentary is very well shot. Most is in widescreen, with older video clips worked in here and there. In addition to the film itself are many outtakes that didn’t make their way into the final cut. I can honestly say that 99% of them would have made the subjects of the documentary seem even more unusual or crazy than they already do.

If you’re a gamer, I would strongly suggest you check out The Dungeon Masters to see how our hobby is being viewed in this case. The documentary provides an unflinching glimpse into the realities of these three lives and how they try to balance their hobbies and real life.

If you’re not a gamer, but know someone who is – I would encourage you to watch this documentary with them so they may provide a different perspective on gaming in their own lives. Use The Dungeon Masters as a starting point for a conversation about roleplaying – not the end.

But either way, I’d encourage you to check out The Dungeon Masters when it’s released on DVD August 3, 2010. For more details, check out the info page at Antidote Films here.

This article first appeared at BlogCritics.org here.

–Fitz

p.s. If you want to pick up this DVD when it’s released, check it out below:

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Hi there…

Ever since college when I actually started having the extra money to do so, I’ve been drawn to game stores and hunting for unique supplements. Adventures, gazettes, simple collections of maps – each has its own attraction for me. As such, I have ended up with a wide variety of books, pamphlets, and PDFs that each holds a particular fascination.

Open Design’s recent release of Sunken Empires: Treasures and Terrors of the Deep encompasses the perfect storm of history, art, and implementation that makes a supplement not only a useful tool for gamemasters to terrorize their players from time to time but a great read as well. From the forward by David “Zeb” Cook to the chapters on dealing with the deep and its denizens held my attention to the very end, which is a rarity in any supplement.

Beginning with Cook’s introduction – “A History of the Aboleth” – I felt I was being let into a tomb of previously unknown horrors. I honestly can’t recall if I’d heard of the Aboleth as a creature prior to reading Sunken Empires, but now I know it has a place in the occasional nightmare realms players may find born of my own freakishly random firing neurons. The story of how the creature came about provided crucial clues to crafting hooks and monsters without filling in absolutely all the details – leaving the rest to the players encountering such vile critters.

And Brandon Hodge takes things from there, weaving a storyteller’s spell upon the reader and introducing them to the aspects of Atlantis, Lemuria, and Mu from tales both ancient (Plato’s tales of at Atlantis) and relatively recent (H.P. Lovecraft adapting Mu into the Cthulhu mythos). Hodge then takes it a step further to create the lost city of Ankeshel and the modern cities of Upper and Lower Cassadega now exploring the submerged ruins and learning a few of Ankeshel’s mysteries.

After that, he provides all an enterprising GM would need to torture entertain his or her players with hints of powerful artifacts and spells from the distant past just waiting to be discovered by an enterprising band of adventurers. We have the half-merfolk Maerean peoples working both above and below the waters as well as new paths for other races and classes… I was particularly fascinated by the description of how Monks are entranced by undersea ruins – “drawn by the promise of lost knowledge and paths of enlightenment cultivated by ancient civilizations.” I’d not considered monks in that light before and yet I may start doing so…

Chapter 3 provides not only equipment for adventures daring to explore the sunken ruins, but by what they may find. The lure of lost technology provides not only interesting magic items, but the almost Steampunk-influenced weapons of a much more advanced race. And the weapons don’t disappoint… rifles that fire magically-created ice slivers, methods of crowd control, and even a magical/mechanical method of duplicating a Dispel Magic spell. Very creative items indeed.

Spellcasters aren’t forgotten either, with new spells provided for Bards, Clerics, Druids, Sorcerers, Wizards, and even Rangers. The Druid spells provide water-related magical effects such as Barnacle Armor, Wall of Water, and Calm the Waves. I was a bit disappointed by the small number of Ranger spells (there are only two) and wondered if as a GM I might consider creating additional powers for those adventurers used to prowling the underwater wilderness. Of course the Sorcerer/Wizard list was the most impressive, including more than 30 new spells for those classes.

The list of new magic items was definitely fun to peruse… Though I felt like I needed a much bigger bankroll to be wandering the aisles for many of the items costing 10,000 gold pieces or more. Even so, as a fighter who wouldn’t want a heavy steel shield shaped as a writhing squid that 3x a day could try to disarm your enemies!

If you plan on running any adventures in the split city of Cassadega, Chapter 5 is a must read. It provides much needed guidance on how to handle different levels of parties adventuring in or near the sunken ruins. Though that discussion is little more than a page, it provides answers to many of the problems parties may encounter if they are outmatched by the environment they find themselves in. Hodge goes so far as to provide random encounter tables for the coast and the underdeep that would scare the heck out of me as a player. Everything from plant life trying to kill you to a shoggoth waiting to devour you and your party as an hors d’oeuvre.

Lastly, Chapter 6 provides a description of the many critters you may encounter above or below the waves in these areas. Everything from a Bone Crab to a Wharfling Swarm (described as a huge number of hairless underwater raccoons with needle-like teeth) and aquatic variants of other creatures such as a Needlefish Swarm (a variant of Bat Swarm), a Slick (a Black Pudding variant), or a Giant Trilobite (variant of a Giant Centipede). And then of course there’s the Aboleth… I certainly wouldn’t want to encounter one in a dark, submerged alley.

Honestly, I was very impressed by Sunken Empires. It provides enough “crunch” for an enterprising GM to take it and merge it into his or her own game world quite easily. And if done right, a GM would have potentially years of gaming to explore all the dark corners of the Ankeshel ruins. I did find a few typos here and there, but nothing earth shattering that prevented my understanding of the content. And the artwork for the book was amazing from Malcolm McClinton (awesome cover art), Thomas Cole, Hodge himself, Pat Loboyko, and Hugo Solis.

If you’re looking for a new supplement and you think you want your players to get wet, scared, or both – I’d encourage you to check out Sunken Empires from Open Design and Brandon Hodge. Look for it at Paizo Publishing, RPGNow, and Kobold Quarterly!

This article first appeared at BlogCritics.org here.

–Fitz

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