Magic

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While driving around during a recent snowstorm (not much snow, but lots of wind), I saw a “snow devil” as the wind whipped across the road and created a mini-tornado of snow and it got me thinking… How would elementals manifest themselves in different environments?

And after thinking about it for a bit, I’ve come to the conclusion that elementals most likely change when faced with different conditions. For example, an air elemental may manifest as a dust devil in a desert or arid climate, as a waterspout on a larger body of water, or as a blizzard or “snow” devil… Size would be determined by the materials available as well as by the power of the elemental itself… a minor elemental on a grassy plain might not be seen easily, whereas a supersized elemental in the desert might present itself as a monstrous sandstorm.

Man on FirePutting aside how the elemental got there in the first place (summoned, naturally-occurring, accident, etc.), you end up with some different ways elementals might appear in a game.

I’ve already talked about air elementals… Let’s think about fire elementals…

A fire elemental is dependent on two things – the initial spark that brought it to life and the fuel it needs to survive. So why wouldn’t an enterprising wizard wishing to consult with or capture such an elemental go to a cold place with little fuel or a place where the wizard alone controls the fuel. How vicious would a fire elemental be in a small firepit in the arctic?

But someone seeking to give rise to a large, uncontrolled fire elemental might summon one in a forest to consume it in flames, in a fuel depot (oil for lamps, etc.), or a brewery (or other alcohol-rich depot). Imagine the devastation with such a wild creature loose consuming large amounts of fuel or tinder…

Or what about earth elementals? Far too often I think of the rock monster from Galaxy Quest as your usual earth elemental. What about one made entirely of sand in the desert? Or tiny stones? Or even the silt from the edge of a river or lake?

Water elementals are also very dependent on the immediate environment… An elemental summoned from a puddle would be tiny when compared to one from the ocean or a large lake. Or what happens when one of these has a constant supply of rushing water vs. a finite supply? Then consider the consequences of a slow-moving water elemental made of snow or ice as opposed to one made of freely flowing water…

Then consider battles between different types of elemental and how they might appear in the world. A blizzard may be the battle between a large air elemental and a water elemental or a forest fire raging out of control may actually be a fire elemental and an air elemental at odds with each other. Stormy seas could be air vs. water and tidal waves could be created by undersea battles between earth and water…

Really the combinations are as endless as Mother Nature herself.

So the next time you want to include an elemental in a session… Think about how to introduce it to the characters, what form it may take, and the effects such a creature would have on the surrounding environment.

I know I’ll be paying more attention to the weather. :)

Leave a comment and let others know how you use elementals in your campaigns – I know I’d like having more food for thought!

–Fitz

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What is Lesser Wizardry? Does it mean you’re less of a wizard than someone who practices something greater? Not at all.

Old BookThink of Lesser Wizardry as the training wheels for a beginning wizard. Lesser Wizardry provides an opportunity for apprentices and students to learn the basics of wizardry without setting their hair on fire attempting to cast a ball of fire at an opponent.

So what is Lesser Wizardry good for? All those little tasks that might not seem like much, but can do many things for a budding wizard:

  • Add a bit of flair to your appearance when you’re out in public, such as providing a well-timed breeze to ruffle your robes to get the attention of those around you or to make sure your clothes are clean, hair combed, and hair shaved so you always look your best
  • Handle those little onerous tasks such as cleaning the dishes or wrapping a gift perfectly every time
  • Make sure you always have a pen handy, never lose your place in a book, or get up on time for an appointment after a long night researching in the lab

Beyond that, there are those little tricks that might make your enemy’s day a little worse with just a little thought from you:

  • Distract an opponent just long enough to slip by unnoticed
  • Ensure that a rival mumbles at just the right time to not speak a spell correctly or when addressing a crowd of her peers
  • Turn a clean, tidy room into a disorganized mess to drive even the most well-adjusted neat freak over the edge

Lesser Wizardry is one of the oldest forms of magic known to the humanoid races. When the first wizards were trying to harness the magical energy of the universe, they were very cautious in their approach and used as little magic as possible. They didn’t want to do any damage for fear of destroying themselves in the process or incurring the wrath of the gods. After a while, it became a game for some wizards to see just how little magic they would need to create a particular effect.

These are the spells that wizards create to simplify things in their lab, ensuring that equipment stays clean and spell components are where they can be easily found. But don’t let that fool you. The most powerful wizards skilled in Lesser Wizardry can drive wizards skilled in other areas quite insane.

One of the best parts of casting Lesser Wizardry spells? No components to mess with! Each and every Lesser Wizardry spell relies exclusively on the focus and energy of the caster. No muss, no fuss.

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In the beginning, there were wizards with spellbooks and monsters with special abilities. Then there were superheroes and villains with powers. But I never played in a campaign where there was a mix of traditional fantasy and super powers – so we created one.

Immortals’ Wake is a world in which magic, both arcane and divine, worked together to create Fire Symbol - Alchemya being with magical abilities – the power to control raw elemental energy. Why would they do such a thing you might ask? And why not stop with one experiment? A thirst for knowledge sometimes leads down some interesting roads.

However, these “Changed” as they came to be known, gained the ability to collect and manipulate the forces of water, fire, earth, air, and spirit. Think for a second about someone who could control these elements. Can you imagine the damage they could do? Then think about the good that could be done as well… You’re really introducing traditional comic book hero abilities into a fantasy world.

And as such, these powerful individuals are often called Demons by those who mistrust the destruction the Changed often bring with them. Initially, newly Changed have little control over their abilities. Freakish fires or floods may cause huge swaths of damage during the Change. Or whole buildings may be swallowed by the Earth. What do you tell the innocents who may have lost their lives or property after such an event? “Sorry” barely scratches the surface.

What can they do with Fire? Destruction comes to mind. Simply redirecting the power of a campfire or torch to set other objects aflame, take the heat and warm up an opponent’s metal weapons or armor, or simply launch a ball of fire at an opponent to do as much damage as possible. Then reverse it. Imagine a powerful elemental Fire mage who could draw the flames from a housefire or forest fire, or draws the heat from a room to lower the temperature.

The scariest of these elemental abilities for me comes with those who can control Spirit. During one campaign, we had a character take the spirit of a person and place it in a plant, just to prove a point. During another, we had a character speak to the spirits in a haunted area and provide a shell for one of them to communicate with others. And in yet another instance, a character used Spirit abilities to travel in an Astral form and manipulate the dreams of an NPC. Remember Anne Rices’s novel The Body Thief? It’s no wonder mortals would be scared of these individuals.

Depending on the element, there may be physical changes as opposed to psychological changes in the individual as well. For example, an Earth Changed might become more angular or stony, with skin color adjusting to be more like the prevalent stones in the surrounding area. Fire Changed may simply have more anger management issues or attack their passions with more energy.

Each Changed individual may have a slightly different strength for their abilities as well. Some may be little changed by the experience, while others would then have the ability to speak with powerful Elemental beings in their own plane of existence. What would you chat about with a being made of pure Water? or Earth?

Like any fields of magic in the Moebius Adventures system, there are few limits – which leaves the power in the hands of the GM and his or her players. And like in all things, there are repercussions to holding such abilities.

Would you choose to be Changed? Or will you let the Fates make the decision for you? What would it cost you to become Changed? What would you pay to lose the abilities? These are all crunchy topics ripe for roleplaying.

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A Kind of Magic…

Hi there…

No matter what form the magic takes – arcane, divine, or raw natural magic – it is a combination of concentration, ritual, and belief. Ritual components can be anything from gestures and words to actual physical or even spiritual elements. Physical components may even be tied to beliefs or holy symbols as opposed to simple material components like ash, gems, and so on.

Wizard with Staff (from Clipart.com)But all magic in Moebius Adventures boils down to three key bits – Intent, Components, and Concentration. As such, magic is VERY flexible.

Spell creation and research consists of having a conversation with your GM (or if you’re the GM, you can chat with your players or mutter quietly to yourself) about a few things:

  1. Does the spell come from an existing magical philosophy?
  2. What results are expected or what’s the intent of the spell?
  3. What are the specific components for the spell? Some of these may be dictated by the school of wizardry or magical philosophy chosen.
  4. And what level will the spell be? Not all realms of wizardry require levels, so this may be moot.

Let’s contemplate an example…

Example 1: “Flickum Bickus”

So let’s say that a wizard wants to create a simple spell to light a small fire when flint and tinder aren’t available. Think of Harry Dresden from The Dresden Files using his spell “Flickum Bickus” to light a candle.

This would fall pretty squarely into Lesser Wizardry. Lesser Wizardry deals with small magics and this would qualify as a small utility spell.

Just to verify that, we take a look at the description of Lesser Wizardry. Lesser Wizardry philosophy is as follows:

“The energy exists around us, but never use more than you need. Minimalist magic created to test the waters of magic without annoying any possible powers that be. That was the beginning – and now it’s the major tenet of Lesser Wizardry. Nobody ever dies from or gets hurt by a Lesser Wizardry spell. These are the mundane useful mini-spells created by wizards through the ages to help them get through their day – mark a page, clean a stain, and so on.”

The results are also pretty self explanatory. The wizard wants to light a small combustible material as if it had been lit in a usual physical manner. Simple enough.

And for the spell components, as for all Lesser Wizardry spells, all that’s needed are “mystic words.” In this case, the name of the spell “Flickum Bickus” can actually become the spell’s component as a verbal component.

As far as the spell “level”, this is a pretty simple spell with a very small focus. The GM would most likely slot this as a first level Lesser Wizardry spell.

And voila, the player has created a new handy spell for use in and out of the lab.

Example 2: “Make Me Rich!”

Now let’s do a more complicated spell. For instance, let’s say that a wizard is getting greedy and wants to make himself rich. This is pretty vague, so we clarify a bit to say that he wants to attract wealth like flies to honey. This is still pretty vague and could fall into a number of categories…

If the wizard is very literal minded, they might use Runic Magic to create a runic phrase “Attract Wealth.” Unfortunately “wealth” is a very subjective term. If there were a “money” rune, the wizard would be able to create a runic symbol that would work as a money magnet, attracting coins into the spell’s area of influence.

A better fit might be Superstitious Magic. At a high level, Superstitious Magic preys on people’s beliefs to create magical effects. This might be likened to voodoo or certain forms of witchcraft. If the wizard is superstitious, he or she might believe that the powers that be would grant them wealth if the spell was cast.

This spell would only affect the target. And Superstitious Magic spells require a physical component as a focus that is sometimes consumed by the spell and a mystic ritual, typically involving some verbal element.

In this case, the wizard might bind his own hair around a gold coin, grip it in his hand, stare into a candle and call upon his ancestors to grant himself wealth. “Great ancestors I invoke thee to grant me this, grant my wish and fill my purse, enough to do my deeds, grant my wish and I will remember thee…”

As a GM, I would take this as a vague wish to powers beyond the wizard’s real control, unlike using a bit of will to light a flame. These powers may hear the wizard’s plea, yet choose to fulfill their supposed “obligation” in unusual ways. Perhaps the wizard will suddenly have a group of chickens appear in his yard overnight. The wizard could sell the chickens or keep them and sell the eggs, thus filling his purse. Or perhaps it might be a literal translation and some passer-by might press a coin into his hands while walking city streets. Or perhaps there would be consequences to fulfilling the request – finding a full purse left behind by someone seems fortuitous until you are pointed at as the thief who stole the purse in the first place and abandoned it where someone else might take the fall…

Conclusions

As you can see, there’s a wide range of possibilities here. One of the things I hope to do with the Moebius Adventures magic rules is to allow enough flexibility that players and GMs can roll their own magic systems. You like the “colors” magic in Brandon Sanderson‘s Warbreaker novel? Go with that. You want to do some Robert Jordan Wheel of Time weaving? Go for it. The sky’s the limit.

Ultimately the GM will have the power to veto or control some of the spell effects, as I’ve described a bit in the second example. But the freedom is there for creative gamers to come up with VERY interesting systems of magic.

There are twelve… Yes, twelve… schools of magic I want to cover in a variety of supplements. And then there’s Divine magic and its offshoots for various faiths and belief systems.

I can hardly wait to see what else folks come up with.

What do YOU think? Let me know what types of wizardry you’d like to see and I’ll try and c0me up with some ways that you might define them for your own Moebius Adventures game.

–Fitz

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Hi there!

Recently I’ve been reconsidering the role of magic in a roleplaying world and how a character might take advantage of it. In traditional RPGs such as D&D, Palladium Fantasy, GURPS, and so on, magic is a static thing. In the name of game balance, system creators have chosen to create schools of magic and assorted spells with their different requirements and effects.

Wizard with Staff (from Clipart.com)

This is great for beginning roleplayers, but can stifle creativity for more experienced gamers. What if I want to start from scratch?

Have you ever wondered what it would be like to be a wizard on your own? Perhaps magic is slowly returning to the world after millenia, or you discovered your talents by accident or someone taught you to use them, or maybe magic is outlawed as it is in the Camelot of King Uther Pendragon in the tv series Merlin.

What would that mean for magical research? It would be trial and error. It might be an environment where wizards horde their secrets or band together and share everything to oppose some greater evil or political power. Wizards might be on the run, trying things without the benefit of a lab.

Where would you begin?

I think personally, I’d start small. Think of the old chemistry sets we used to be able to get when we were kids. We could go to the garage, the basement, even our bedrooms and start mixing potions like mad scientists. Tinker and fail and see what made things tick…

Let’s think for a moment of the urban fantasy world of  Jim Butcher‘s Harry Dresden. Harry was taught a few things early in life about magic, but a good deal of his knowledge over the years came from research and experimentation. How many of your wizard characters ever really did that? Think about the backstory you would have and the time between adventures you could experiment and try new things…

For example, let’s say your wizard knows some lesser magics. These are little utility spells that help in the lab or in life, but not much more. Let’s say your wizard wants to create a spell similar to Harry Dresden’s “Flickum Bickus” spell to light a small fire or candle when flitn and tinder aren’t available.

Can you create a spell, even a little one, in another big system for fantasy roleplaying? Ok, maybe Rolemaster or White Wolf’s Mage, but that’s about all I can think of from my experience.

Next time I’ll tell you how you’ll be able to do this in Moebius Adventures. Stay tuned!

–Fitz

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This design for an amulet comes from the Black...Image via WikipediaHi all…

Ok, first of all I have to say we’re having a VERY cool discussion on the last post.

I’ve been rattling around some thoughts about how to set these rules in motion… One of the comments that didn’t make it into the comments (gotta love technical glitches) was that if this is more of a framework book (and that *IS* the goal here), it needed to go beyond the traditional fantasy approach to magic. What about technology? What about modern/futuristic settings? And just providing the rules isn’t enough – there has to be enough info/examples that a GM could run a one-shot to figure out how the rules work or just play.

So bumping this up to a higher vantage point, I thought we’d approach this from a very vague guideline and then provide a number of example implementations. My brain has been going insane with some of the many things we could do (from magic in a fantasy sense, to psychic powers, to mutant abilities, to cybernetics and beyond).

That said… Let’s kick this off…

A new field of wizardry (whether arcane, divine, natural, technological, psychic, etc.) is merely a skill for the character to obtain. In some cases (for example with a magical item or a new cybernetic implant), the skill is gained for free and the player can spend XP to enhance specific spells or abilities associated with the skill. In other cases, the player can spend XP to enhance the skill or specific spells.

Each field of wizardry must have a number of qualities. Is it external or internal to the caster? For example, does the magical energy come from force of will, from a set of magical ingredients, or from a higher power?
Once that is decided, we must determine the amount of energy involved.

If it comes from ingredients, how much energy do the ingredients hold? Is it quantity or quality that counts? What’s the difference between a rock used for a spell and a flawless diamond?

If it comes from a higher power, how much power gets filtered down to the vessel (caster/priest) on the material plane? Is it a powerful god? A benevolent spirit? A philosophical ideal? The embodiment of nothingness? A disembodied spirit or the soul of a living being? Weight this on a scale of 1 to 10. This would be an exponential scale.

If it’s the naked will of the caster, how do you measure that? Is it their Reality Check? With a higher RC, they have a better grasp of the reality of what they are doing with magic. An RC of 10 means you could model entire universes (small ones of course) in your mind, while an RC of 1 implies that you don’t even believe it when someone picks your number in line at the deli (the one you chose that they circulate through starting at 1).

Then we have to decide how much of that energy the caster can actually wield before “burning out”. For technological things, this would be like burning through a battery. In the case of a caster, this would be measured by the amount of magic (points/pool) the caster could use or how many spells they could use a day (possibly RC per day? number of spells = skill level or combined # of points in the skill and spells?). For a priest, he or she is guiding a huge amount of the higher being’s power through themselves as a vessel (possibly) and will also get tired. How do we gauge that? Faith + Conviction per day?

Note that these are all very preliminary and incomplete thoughts, so take from them what you will. But I thought I’d dump them out there as food for thought.

I’m interested in, mechanics aside, rough guidelines on how to provide balance. Yes, a well placed bullet or arrow can always kill a focused mage, but that’s not always the best answer.

Thoughts? Concerns? Criticisms? Throw it up here in the comments and let’s see what sticks!

–Fitz

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Hi all…

This is the beginning of a series of articles/discussions that will ultimately result in publishing a new Moebius Adventures book that includes rules for magic as well as magical races such as elves or dwarves.

Lightning strikes during the eruption of the G...Image via WikipediaAt a very high level, magic is simply an observable instance of the usage of forces existing in a particular world, belief system, universe, or plane of existence. Magic may be used by nature, gods, wizards, priests, spirits, or anything or anyone else naturally or skillfully adept at using a particular type of magic in a particular context.

For example, let’s take the ever popular “ball of fire” spell. This could manifest in a number of ways, but I’ll just list three here for discussion purposes.

  1. A person might be born with the innate ability to draw heat from the air around them to ignite a small fire and control it long enough to throw it short distances. Sort of a Pyro (X-Men) kind of approach to fire abilities.
  2. Perhaps an alchemist has managed to find a recipe for a small bag of combustible materials to be lit and tossed at a target.
  3. Or maybe it’s not a person at all. Maybe in a particular desert during a particular time of year, conditions are so hot as to ignite the very sand. Winds can then blow such a fire storm across the lands, leaving trails of glass in its wake.

What I want to avoid doing is assuming that all magic works the same. Initially in Moebius Adventures, we went the common route of creating 100s of spells in a variety of different schools of magic. This is great if you want a laundry list of possibilities, but not great for having a fluid, more adaptable and creative magic system.

The goal for the revised magic system is to provide methods for defining what the goal is to be (i.e. setting fire to something), a context (i.e. a wizard, alchemist, or magical naturally-occurring storm), and a method (i.e. willpower, knowledge and ingenuity, or the randomness of nature).

How we make these fit together into a coherent whole is a topic for another day.

That said, I’m interested in what YOU think. How should magic work? GMs and Players often have very different views on this topic. :)

Leave me a comment and let’s get the discussion rolling!

–Fitz

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Hi all…

Thought I’d let those few of you still following Moebius Adventures know that I’m starting work on a book of magic rules for the game.

Moebius Adventures Core Rules Cover Medium VersionIt originally started out as a collection of all the various schools of magic and spells we’d created over the years, but it took a left turn somewhere along the way and now includes much more open-ended rules.

My hope is to post snippets of the book in article form here to encourage feedback and playtesting, and then release the book sometime next year.

So stay tuned!

–Fitz

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