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What alignment is your GM?

Welcome back!

I had an interesting conversation with my GM last week. We somehow got onto the topic of how evil he was as a gamemaster. Honestly I don’t see him as evil, but I ran with it for the sake of ignoring some other things I really didn’t want to work on. :)

yinyangBetween the alignments of Lawful Evil, Neutral Evil, or Chaotic Evil, we decided that he was a Neutral Evil GM with some Chaotic tendencies.

A Lawful Evil GM is a rules lawyer and typically more interested in enforcing the letter of the law as spelled out in whatever game he is entranced with at the time. Mike definitely doesn’t fall into this category. I don’t think I even fell into this category when I was GMing either – I’m far more likely to either make a ruling and go with it on the spot or stop the game to get into a philosophical debate about why it was phrased the way it was. (Occupational hazard when you’re the one who wrote the game.)

A Neutral Evil GM is more interested in game balance than the rules persay. Mike tries to be very balanced and err on the side of roleplaying and story more than focusing on either making sure the PCs get their butts handed to them regularly. I’d like to think I fall into this category myself, but I know better.

And then there’s the Chaotic Evil GM. These are the guys who sometimes roll dice for no reason but to increase his players’ blood pressure. (Mike’s been guilty of doing this from time to time.) These are the GMs who decide one session they want to really teach the PCs a lesson and beat up on them and then in the next session be really nice to make up for it… And then there’s my type of chaos, where I end up GMing a sandbox game and watching the fireworks.

Each of these types of GMs should be observed in their natural habitat and not removed through the use of force, or that might backfire.

Why Evil you might ask? Honestly good and evil are in the eyes of the players most of the time, not in the eyes of the GM. So the night that your GM springs an encounter with an invisible flying creature in a cave and nearly kills all the PCs (one actually did die in that case and was raised later), he might be evil. The night he just happens to leave a magical crystal sword in a pile of loot just so your character can use it, he might be good.

Just don’t anger your GM without good reason. Then you’ll see True Evil raise its ugly head. ;)

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While driving around during a recent snowstorm (not much snow, but lots of wind), I saw a “snow devil” as the wind whipped across the road and created a mini-tornado of snow and it got me thinking… How would elementals manifest themselves in different environments?

And after thinking about it for a bit, I’ve come to the conclusion that elementals most likely change when faced with different conditions. For example, an air elemental may manifest as a dust devil in a desert or arid climate, as a waterspout on a larger body of water, or as a blizzard or “snow” devil… Size would be determined by the materials available as well as by the power of the elemental itself… a minor elemental on a grassy plain might not be seen easily, whereas a supersized elemental in the desert might present itself as a monstrous sandstorm.

Man on FirePutting aside how the elemental got there in the first place (summoned, naturally-occurring, accident, etc.), you end up with some different ways elementals might appear in a game.

I’ve already talked about air elementals… Let’s think about fire elementals…

A fire elemental is dependent on two things – the initial spark that brought it to life and the fuel it needs to survive. So why wouldn’t an enterprising wizard wishing to consult with or capture such an elemental go to a cold place with little fuel or a place where the wizard alone controls the fuel. How vicious would a fire elemental be in a small firepit in the arctic?

But someone seeking to give rise to a large, uncontrolled fire elemental might summon one in a forest to consume it in flames, in a fuel depot (oil for lamps, etc.), or a brewery (or other alcohol-rich depot). Imagine the devastation with such a wild creature loose consuming large amounts of fuel or tinder…

Or what about earth elementals? Far too often I think of the rock monster from Galaxy Quest as your usual earth elemental. What about one made entirely of sand in the desert? Or tiny stones? Or even the silt from the edge of a river or lake?

Water elementals are also very dependent on the immediate environment… An elemental summoned from a puddle would be tiny when compared to one from the ocean or a large lake. Or what happens when one of these has a constant supply of rushing water vs. a finite supply? Then consider the consequences of a slow-moving water elemental made of snow or ice as opposed to one made of freely flowing water…

Then consider battles between different types of elemental and how they might appear in the world. A blizzard may be the battle between a large air elemental and a water elemental or a forest fire raging out of control may actually be a fire elemental and an air elemental at odds with each other. Stormy seas could be air vs. water and tidal waves could be created by undersea battles between earth and water…

Really the combinations are as endless as Mother Nature herself.

So the next time you want to include an elemental in a session… Think about how to introduce it to the characters, what form it may take, and the effects such a creature would have on the surrounding environment.

I know I’ll be paying more attention to the weather. :)

Leave a comment and let others know how you use elementals in your campaigns – I know I’d like having more food for thought!

–Fitz

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So from the first three parts of this series (part 1, part 2, part 3), you hopefully have seen some of the thought that went into our slightly different take on alignment for Moebius Adventures. Again, this is totally portable and could be used with any system I think.

RPGBlogCarnivalLogocopyBut does it work? The jury’s still out. Ultimately, this may not be a usable alignment system. But it provides some interesting flexibility that the traditional good/evil scheme may not. If nothing else, perhaps it offers some methods for fleshing out characters in addition to a traditional good/evil alignment.

I think that new players should focus on the basic alignment grid of Good, Neutral, and Evil. But more advanced players may want a bit more play in how they approach decisions for their characters in a given world.

When conflicts arise between different levels of morality, it definitely gets interesting.

Let’s say that someone is trapped in a burning building and your character has enough time to safely extract the individual from harm. A character with a light moral alignment (+6 to +10) would save the individual, since Man is more important than Nature (in order of moral codes). A character with a gray moral alignment (-5 to +5) may or may not aid the trapped person. Is the person a friend? Would there be a possibility of a reward? These things may tip the scale one way or another. A character with a dark moral alignment (-6 to -10) might have started the fire or help the fire burn other nearby buildings. Maybe they consider cities dirty, unnatural structures and seek to, like Nature, clear the area for new growth.

Considering these qualities of Morality and Virtue provide some interesting insights into how our characters deal with the world around them and the people in it.

Hopefully I haven’t put anyone to sleep with this series. I think it’s philosophically interesting to approach roleplaying from more abstract ways than the old “good vs. evil” scheme.

Thanks for your time!
–Fitz

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Hi all…

As my contribution to the RPG Gamer Network’s Small Press Week, here’s my review of Open Game Table: The Anthology of Roleplaying Game Blogs, Volume 1.

small-press-weekAs a lifetime player and gamemaster of tabletop roleplaying games (RPGs), I’m constantly amazed at the amount of passion, knowledge, and depth of other members of this collective of people who play RPGs. There are players that might as well be actors with as deeply as they get immersed in their characters. There are gamemasters (GMs) who know not only the art of story construction, but how to keep campaigns alive for years by constantly changing things up.

And then there are people like me. I straddle between the two camps, or at least try to, gleaning what I can from experts on both sides of the divide. I try my hand at writing roleplaying games, playing myself, and hopefully soon starting to GM again.

So when I come across new resources such as Open Game Table: The Anthology of Roleplaying Game Blogs, Volume 1, I am blown away by the creativity and imagination bound up within. There are countless roleplaying blogs now, and Open Game Table aims to collect some of the finest blog articles from 2008. The articles may have been dusted off, edited, and illustrated to make them shinier, but they are the same thoughts that appeared on the internet first.

Jonathan Jacobs runs a blog known as The Core Mechanic and participates in a network of roleplaying bloggers known as the RPG Bloggers Network. And it’s many of the writers from that network that grace the pages of this first volume of what I hope will be many.

Jacobs and the other editors have arranged the book into broad chapters – Play Style, Game Play, Characters & Players, Monsters & NPCs, and so on. Each chapter collects a number of articles on the broad themes for that chapter. I have to say that with the sheer number of authors, pages, articles, and words, there were bound to be a few typos here and there, but they were all extremely minor and never caused any issues.

Some of my favorite content includes:

  • “Giving the Players a Reason to Enjoy the Campaign” by Brandon Daggerhart from Turtles all the Way Down – actually ASK the players about their characters and get them involved in the campaign earlier in a more interactive way.
  • “Extreme Makeover: Tavern Edition” by Stephen Dewey from Musings of the Chatty DM – so you’ve got a ratty old tavern in your campaign… maybe it needs some atmosphere, better descriptions of the food, or a gimmick?
  • “The Adventure Funnel” by Andrew Reyes from I Waste the Buddha with my Crossbow provides a stone simple way to focus your adventure ideas and funnel them into a complete experience – including the idea, obstacles, details, assistance and rewards

This is just a sampling of the many, many great, thought-provoking articles throughout this collection. What’s exciting about this is that it’s just volume 1! The potential is here to produce volumes of this sort of content as long as people are playing roleplaying games and blogging about them.

I have to commend Jacobs and the many authors and editors for putting together such a quality product. Open Game Table: The Anthology of Roleplaying Game Blogs, Volume 1 should be on the “want list” of all gamers, whether you’re a player, a GM, or a writer. Order your copy from Lulu today as a hardcopy or PDF or check out RPGNow.com! (Jacobs also let me know that the book was picked up by Studio2Publishing, and is now in retail distribution so you should be able to pick up a copy from your friendly local gaming shop!

–Fitz

p.s. You can also order it from Amazon:

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Ok, so we’ve chatted a bit about Morality and moral codes (back in part 2). Now let’s change our focus to Virtue and bring some pain into the equation…

What is Virtue? Virtue represents the mortal drive to ease or cause pain and suffering in themselves and others. Someone’s virtue isn’t determined by how they perceive the pain they inflict or receive, but in how they deal with that pain.

RPGBlogCarnivalLogocopyRules-wise, we use that same -10 to +10 scale. For Virtue Alignments, “Light” is 10 to 6, “Gray” is 5 to -5, and Dark is -6 to -10.

Let’s use the example of a gym teacher ridiculing a student for not being able to do enough push-ups. The teacher may feel that ridiculing the child in front of others will make them work that much harder at improving their performance. The adult teacher may truly feel he’s helping the child by forcing them to perform. However, the teacher’s behavior shows that their virtue is firmly set in the gray, not the light or dark areas of the scale. Regardless of whether the child’s performance improves, the teacher inflicting the pain is encouraging a potential change in behavior. Both may be changed by the process.

Not all pain is easily identified, but the result is the same – someone suffers. Some pain manifests in an individuals psyche or soul and may never be seen by others. Other pain is physical and more immediately apparent to others.

Prolonged exposure to the effects of pain and suffering may lead to permanent changes in a person’s mind, body, or soul. Physical pain may cause damage creating deformities, bodily weaknesses, or even death. Mental pain may manifest itself as insanity, depression, or an altered state of consciousness. And soulful changes may change a person’s faith in the divine, their will to live, or change how quickly they can recover from repeated abuses.

A Virtue Alignment reflects how a character views pain and suffering. Do they want to inflict pain or stop it? Virtue is more than just thinking about pain – it’s what a character will do when confronting a situation involving pain in themselves or others.

Characters with light virtues will attempt to ease the pain in others and not cause pain themselves. However, they may kill someone to ease the pain suffered from a terminal illness. And when interrogating a prisoner they might try to give the person hope of life without pain in exchange for information. They would never force an individual to watch others being tortured.

Characters with gray virtues might use torture to further a higher goal or achieve something important to them. They might watch a horde of barbarians enter a city and slaughter citizens, never raising a hand to stop the massacre. They aren’t necessarily inflicting the pain themselves, but they still have the ability to stop it or at least a portion of it if they choose.

Characters with dark virtues will use pain readily. They might torture a prisoner before asking any questions simply because they feel the prisoner deserves it.

When you consider villains from the standpoint of Morality and Virtue, I find that you end up with much more realistic bad guys. Everyone has a story. So you have an evil wizard that wants to destroy a kingdom. Why? What happened to that person to make them willing to commit evil acts?

Is it that they were in conflict with Society or an individual? Perhaps severe mental or physical damage was done in the process?

–Fitz

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As I said in Part 1, this series deals with Morality and Virtue as we define them for the Moebius Adventures games. But as with many things, I think it goes beyond the system of rules and provides more food for thought when looking at alignment.

yinyangSo let’s talk a bit about Morality. Every time I hear that word, I think of the Animaniacs and their “Wheel of Morality” – “Wheel of morality, turn, turn turn… Tell me the lessons that we should learn…” Yes, I am warped.

Anyway… Morality… As I said last time, Morality indicates roughly how a character views right and wrong. And morals are principles or standards relating to a system governing right and wrong behavior in the universe. Codes of morality provide frameworks that benefit an individual or group if used properly.

In terms of the rules for Moral Alignments, “Moral” is 10 to 6, “Gray” is the 5 to -5 range, and -6 to -10 is “Immoral.”

An individual’s morality may differ from that of society, and both may differ from the morality of higher beings.

There’s also a difference between the morality of a character and the player or GM as a person. As a player, you concentrate on what your character understands as right and wrong. For example, let’s take a character in the thieves’ guild. In the real world, the player would (probably) never steal from another person. However, the character has his own reasons for stealing and therefore a different morality from the player.

We found that there are some general, high-level categories of moral codes – Nature, Animals, Man, Society, Thought, and Time. The sum of these define the overall morality of the universe.

Nature’s moral code defines how the elements (fire, wind, earth, water), plant life, and geological events work in the universe. Nature’s moral code is structured to ensure its own continuity. It often does this by cycling through periods of creation and destruction – lightning starts a fire, burns dense forests, and thus provides room for new growth; floods redistribute rich new soil for growth higher along the flood plain.

RPGBlogCarnivalLogocopySurvival of the fittest” is a basically the moral code for Animals. Only the strongest and most able animals are able to perpetuate the species. Often, this moral code is in conflict with Nature. However, animals are more able to survive the effects of Nature because they can adapt.

Mankind’s moral code represents all individuals and genders and their struggle to survive in the world of Nature and Animals. At a basic level, the Human moral code is “might makes right.” To survive, one must live within Nature and control a portion of the Animal kingdom (through the domestication of animals) to improve their quality of life.

Society’s moral code represents groups of individuals brought together to ensure protection of all those in the group. Society requires the participation of its members to succeed. Where conflicts arise between the moral codes of Man and Society, Society should win more often than not. People typically recognize that they have better lives within properly functioning societies than without.

The moral code of Thought includes those individuals capable of reasoning what’s best for Society, Man, Animals, and Nature. The responsibility of Thought is to manage all the lower moral codes to they might all peacefully coexist. Intellectuals recognize that they must minimize conflict between moral codes to obtain a better life for all.

And Time has the highest moral code of all. Like Nature, Time continues marching on.

So what happens when there are conflicts between moral codes?

Let’s go back to the fire example with Nature. Fire cleanses the forest for a new cycle of life. But this may seem cruel to Man or Society to kill life. Nature knows it’s necessary to sacrifice some of the forest so the rest can thrive. Without it, life cannot exist.

However, when a fire threatens a city and its inhabitants, a conflict arises between moral codes. Which moral code should prevail? A character with a “Gray” level of morality at 1 would probably try to stop the fire to protect themselves and their family, thinking more of themselves than Society. Characters with a higher moral alignment, around a 4, would also try to save the city, but because their goal was to save everyone within it, not just themselves.

Examples of Moral Alignment:

  • Time = +10
  • Thought = +6
  • Society = +2
  • Man = -1
  • Animals = -6
  • Nature = -10

When a course of events favors two or more moral codes, no conflict arises. When events don’t favor all participants, conflicts arise. Following the morality of the universe, the right thing to do is to favor the higher moral code.

When two different moral codes conflict, you must weigh them. It is morally just to place Time over Thought, Thought over Society, Society over Man, Man over Animals, and Animals over Nature. A character with a moral alignment of -3 might side more with Animals and Nature than Society and Man. This might make him believe it’s morally right to kill poachers in the forest because they are upsetting the moral code when they kill healthy animals instead of the old or sick ones.

Obviously there’s more to discuss for Morality, but we’ll leave it there for now.

Next time we’ll discuss Virtue.

–Fitz

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For this month’s Blog Carnival, I thought I’d throw some different ideas out there about an alternative to the simple alignment grid…

Though I understand the attraction of a simple alignment scheme for some games, I’ve always been fascinated by the gray area. Rarely will you find anyone who has a perfect moral compass. As Citizen G’Kar said once in an episode of Babylon 5 – “The universe is run by the complex interweaving of three elements. Energy, matter, and enlightened self-interest.”

yinyangIt’s that “enlightened self-interest” that motivates even the most well-intentioned individual.

What is alignment? A character’s alignment generally describes how the character perceives moral choices in their world. Are they really good? Really evil? Or somewhere in-between?

Though extremes may be interesting experiments in roleplaying, I find that most player characters tend to fall in the Chaotic or Neutral camps, using their judgment to decide whether to do good or evil or obey the laws. It’s that gray area between good and evil that most of us reside in – using the context of the decision to help us make those crucial decisions.

It’s in the spirit of the “gray” that for the Moebius Adventures system we created an alternative to the traditional good, neutral, and evil alignments – Morality and Virtue – to measure character behavior a bit differently.

Morality indicates how a character views right and wrong. Virtue reflects a character’s attitude to pain – do they ease pain or cause it? Together the two scales help define how a character can gauge decisions.

RPGBlogCarnivalLogocopyWhat are morals? Morals are principles or standards relating to a system governing right and wrong behavior in the universe. Codes of morality provide frameworks that benefit an individual or group if used properly.

What is Virtue? Virtue represents the mortal drive to ease or cause pain and suffering in themselves and others. Someone’s virtue isn’t determined by how they perceive the pain they inflict or receive, but in how they deal with that pain.

So by now you’re wondering how the heck any of this could be playable… And I agree, it gets a bit philosophically deep. But as with alignments, we’re talking about rough guidelines for PC behavior. Evil may be just another way of saying that an individual is immoral and likes causing pain.

But what happens when a character (PC or NPC) strongly believes in their morality, is ok with a certain amount of pain caused to others, and yet is opposed to the social or natural order of the world? Does that make them evil? Or does it make them good? It all depends on the context of a particular decision, doesn’t it? The player or GM has to weigh the decision of the character based on the circumstances around them – just like in life.

It makes things a bit more interesting anyway.

The next couple of posts will go into more detail about how we use Morality and Virtue in-game and then how to work through some different situations.

Until next time,

–Fitz

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Hi all!

I’m going to be gone tomorrow, so I thought I’d post my Friday Links a day early. Yes, it might warp the time-space continuum, but oh well. No worse than the large hadron collider. :)

  • Friday LinksUnique Tavern Encounters from the Bard of Valiant. You know when you read the first thing in a list of 11 and laugh out loud, it’s probably going to be a good list. This one is. I absolutely love the visual of having a bunch of burly tavern-goers drinking their grog though a straw!
    http://www.bardofvaliant.com/2009/10/unique-tavern-encounters/
  • From Held Action, we have a brief description of Spirit Mimics, such as the woman behind the counter in a diner that may never have existed. To me this is a great idea to use sparingly. The idea of a magic shop that moves around isn’t new, but maybe a phantom tavern that shifts from location to location with a unique set of NPCs. Would the PCs want to try and find it again?
    http://heldaction.wordpress.com/2009/10/06/phantom-diners/
  • Bigtime food for thought from the Emergence Design Weblog about making magic more mysterious. This is something I’m currently tinkering with in my own system and wondering about, so the timing is perfect. How do you balance the factors of game balance, rules, and knowledge to come up with something worth the PC’s time investigating?
    http://ruscumag.wordpress.com/2009/10/05/rpg-design-making-magic-mysterious/
  • In the “Things I Could Have Used a Few Years Ago” category (for a campaign based loosely on ancient Rome), Evil Machinations provides us with Roman names beyond Fred…
    http://www.rpggm.com/blog/2009/10/05/beyond-fred-roman-names-for-characters/
  • From Gnome Stew and John Arcadian comes “Johnny’s Five – Five Things About Your Game That Will Never Beat the Reality Test,” which really puts a damper on the “reality factor” of dungeon diving and adventuring in general. I think reality and the fun factor have to peacefully coexist, but there are aspects of the five things mentioned that I like to bring in now and then myself… such as having to drop a PC’s pack before going into a dungeon because the entrance is caved in and too small to get in. But who wants to have to deal with the eating and waste management portions during a game? Bring on the encounters and combat!
    http://www.gnomestew.com/johnnys-five/johnnys-five-five-things-about-your-game-that-will-never-beat-the-reality-test
  • From Akratic Wizardry, we have “The Duchy of Briz: Overview and Map,” which proves that you don’t have to have a huge setting location to find some adventure or story ideas. I love the fact that he worked in not only the history of the place, but provided hooks, such as the rumors of treasure in the cairns of Solan and the few who ever return from the hidden mounds of the dead. Great stuff!
    http://akraticwizardry.blogspot.com/2009/10/duchy-of-briz-overview-and-map-revised.html
  • From Gothridge Manor, we have some ideas on how to make Villages a bit more crunchy. Providing a bit of a skeleton for each village (max 4-5 sentences), makes a lot of sense to give you some ideas when the players get restless and want to stop in the next village for a drink… :)
    http://gothridgemanor.blogspot.com/2009/10/villages.html
  • From Bard of Valiant and Viriatha, we have some great things to consider for new characters. I especially like the idea of coming up with secrets for the character and passing one to the GM to pass to another player and coming up with the list of character traits!
    http://www.bardofvaliant.com/2009/10/8-new-character-tips/
  • In the wow category we have “Iconic Elements in Campaign Setting Design” from Badelaire at Tankards and Broadswords. I’m going to have to reconsider my own Immortals’ Wake and Phaedrus campaign settings with these iconic elements in mind. Great ideas.
    http://tankardsandbroadswords.blogspot.com/2009/10/iconic-elements-in-campaign-setting.html

So there you have it… Some wisdom from the blogosphere on all things roleplaying. :)

Have an awesome weekend!

–Fitz

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In the various campaigns that I’ve run over the years, I have always tried to get close to the sandbox approach of storytelling. However, as all GMs who have tried it can probably attest, a wide open world has its issues. This is a cautionary tale to anyone looking to run their campaign wide open and simply follow the PCs. It has a few advantages, but wow can it go wrong fast.

Back in the mid-90s, I ran a campaign in my Immortals’ Wake world, which is a traditional fantasy world with some superhero elements thrown in for good measure. (More about the IW world will come out over time here eventually.) I was playing with Sean, the co-creator of Moebius Adventures and a couple of other guys.

I introduced what I thought of as a simple concept at the time… “Dust.” This Dust was only created by one particular event and thus very rare, but it was found to have an effect on people who inhaled it, much like cocaine. Yes, I was stupid enough to bring drugs into a fantasy roleplaying campaign.

Over time, I watched as a player took a low-powered character in the Thieves’ Guild and began to create his own drug and crime empire right under my nose. His friend became an enforcer/bodyguard type character and suddenly I found myself in the middle of a gang war. Thief vs. Thief. Guards vs. Thieves. And as it escalated, things got further and further out of hand. It was no longer my campaign – it was their campaign.

Before long, we ran into other issues with those two gamers and eventually we stopped gaming with them entirely. But the upside was that my in-game drug war went away.

And now, probably 12 years after that campaign, I understand what I did wrong… As others have pointed out recently in blog posts, you can’t just create a world and set the players loose. One of two things happens… either they get bored or they start causing trouble. Or perhaps it was the boredom leading to the trouble-making. Who knows?

The trick I think is to make sure that there are things going on that affect the players. In my next IW campaign, I want to start the players off getting comfortable in the setting and then pull the rug out from under them. And if that wasn’t bad enough, I have other evil things in mind. [Insert Evil Laughter Here]

And the other lesson? Don’t introduce a drug war in a fantasy campaign… Sort of like Vizzini in The Princess Bride

“You fool! You fell victim to one of the classic blunders! The most famous is never get involved in a land war in Asia, but only slightly less well-known is this: never go in against a Sicilian when death is on the line! Ha ha ha ha ha ha ha! Ha ha ha ha ha ha ha! Ha ha ha… [thud]“

For another take on sandbox games, check out Gnome Stew here.

Any lessons about sandbox gaming you guys have learned over the years? Leave me a comment. Let’s get this conversation going!

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